Tv Primetime's 'Odd Couple' Cowell & Seacrest Rev Up Their Mean-Spirited American Idol Breakup

The Lawrence Welk Show Snl - Tv Primetime's 'Odd Couple' Cowell & Seacrest Rev Up Their Mean-Spirited American Idol Breakup

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For the nine years that American Idol has dominated Tv Primetime, millions of viewers have watched a second consuming drama unfold center stage where "Odd Couple," Simon Cowell and Ryan Seacrest, regularly square off on a given weeknight - for an additional one round of gamesmanship and ego sparring.

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Recently, when host Seacrest tried to engage Idol veteran judge Cowell regarding a critical comment, Ryan was at first obsequious, and in the next watch and verbal exchange, acted hurt, petulant and then angry - much like a spurned lover trying to get in the last word at an old flame's wedding. Meanwhile, Simon glared back - defiant and condescending. For months, Tv Primetime's new "Odd Couple" has been acting like two population who have been forced to spend too much time together - and who know too much of one another's secrets.

The personalities of Idol's judges, along with that of host Seacrest, and the chemistry among them, have been a constant source of rumor and grist for the tabloid press since the show began. In earlier years, rumors abounded about either Simon and Paula were an item or were mortal enemies.

Now that Paula has departed and Simon is engaged to someone else, there are consuming new dynamics to watch, as the current judges vie for Tv exposure, but try to claim their opinions without stepping too hard or directly on one another's commentary or toes.

The ever-fashionable Kara Dio Guardi leans heavily on Cowell for his approval and attention. Meanwhile, Cowell oftentimes leans physically on Dio Guardi despite calling her a "cougar" earlier this season when he caught her casting lustful glances at Southern rocker Casey James. Kara seems to regard Casey as her girl boy toy of option and many guitar player ever.

Randy Jackson seems just a shadow of himself. And not just because he's lost a mountain of weight. Randy seems content to stay quietly behind the scenes, occasionally telling a singer: "Yo, dawg! Man your pitch; it just wasn't there." His only challenge to Cowell has been to join newcomer judge Dio Guardi in asserting that 17-year-old crooner Katie Stevens is more of a Pop R&B singer than a Pop Country singer (the latter being Simon's claim).

Ellen DeGeneres is truly funny and is complimentary to a fault, rarely delivering a critical or hurtful word to a contestant - and being rigorous not to challenge or contradict Simon on any front. At least by appearing on Idol, Ellen can now put to rest the old Hollywood rumor that she, Barry Manilow and previous Idol Clay Aiken are one and the same person.

In truth, age differences and nation origins aside, Cowell, 50, and Seacrest, 35, have more in base with Tony Randall's fastidious Felix Unger - than Jack Klugman's untidy Oscar Madison, both characters from the '70s "Odd Couple" Nbc-Tv show, adapted from Neil Simon's play. And, either they're arguing about the music industry's 100 best pop songs, or according on a contestant's talent, the two detail-oriented and critical entertainment moguls are probably more alike than either likes to admit.

As the cantankerous Cowell contemplates leaving Idol at the end of this season, the first request that comes to mind is: "Can American Idol survive without Simon Cowell?" The second request is: "Can Ryan survive and stay consuming without Simon?"

Idol, along with All in the family and The Cosby Show, is one of three Tv shows to stop first in each year ratings five right years. On April 7, the show attracted 13.7 million viewers, while dominating the coveted 18- to -49-year-age viewer and advertising demographic. And the show's advertising rates are unbelievable to hit the -million-mark for a 30-second spot during its 2010 finale week.

Cowell and Seacrest have been undeniably extremely responsible for much of Idol's unbelievable success. But their association in at least the past two seasons has appeared strained, uncomfortable - even downright nasty at times. Which makes for great Tv. And high ratings. If there's whatever we Americans like about our reality Tv, it's when things get real. And get in fact mean.

At the chance of a recent Idol episode, Seacrest queried Cowell about one of his critical comments from a previous show. When Cowell didn't respond, Seacrest stalked over the stage and stopping inches from Cowell, glared into his eyes and repeated the request - this time more forcefully. All of which prompted the caustic Brit to tell Seacrest to buzz off and get out of his face.

There they were. Like so many times before: two consuming meticulous, well-coifed metrosexuals, verbally slapping each other silly in a battle of wits and apparent bruised egos. All the while the cameras panned in to catch the drama. And the ratings prolonged to soar. On the most beloved Tv Primetime show in America.

Personalities and sizable egos aside, Idol needs to make some vital adjustments if it hopes to support its credibility with the public and music industry - and its sizable Tv ratings - after losing Cowell. Idol's credibility is in serious jeopardy because the voting public is allowed to multi-text votes for a given candidate - which has morphed the show from a singing competition into a popularity contest. Voting is dominated by teen and tween callers who multi-text, as well as by conservative viewers, who tend to vote for safe middle-of-the-road artists.

There also is at least one Blog site that prides itself on identifying Idol's weakest candidate, early on, and then encourages its Blog mates to "stuff the ballot" and vote for that candidate and keep him or her on the show as long as possible. Its goal this season? To help make the ever-smiling, musically deficient Tim Urban this year's Idol. While multi-texting in fact drives up show sponsor At&T's network usage and revenues, Idol needs to start limiting voting to one text per phone number.

Idol judges also need to stop talking out of both sides of their mouths. They oftentimes deride candidates for choosing songs exterior of their genres. Then, inexplicably, they instruct their young singers to select songs from genres thoroughly exterior of their abilities and ease zones. They have soul singers singing Dolly Parton. Or Neil Diamond. And rockers singing vintage Motown.

And then the judges have the temerity to accuse their young minions of being artistically ambivalent and unfocused. To address this problem, Idol needs to start having industry experts pick more current and genre-appropriate songs for each candidate. And, it needs to do away with its contrived group sing-alongs, reminiscent of The Lawrence Welk Show days.

These insipid sing-alongs indiscriminately lump fledging singers into unfamiliar genres, with the unreasonable hope that they will sing capably and harmonize like veteran session singers. These group excursions have assorted from being boring to watch - to being painful. More importantly, they are thoroughly irrelevant to solo singers' careers.

If Idol makes these adjustments, we here in The A&R Room believe the show can continue to peruse legitimate new talent and support its high Tv ratings and advertising success. If not, and without the grit, wit, discernment and inimitable style of Simon Cowell, Idol could lose its momentum - and perambulate down the road to self-parody. And, after this season, Ryan Seacrest must find himself a new muse and alter-ego.

By: Larry Cox

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